2020BonnefantenMaastricht, Netherlands The Bonnefanten is an arts museum in an idiosyncratic setting, based in an unusual building designed by Italian architect Aldo Rossi. The quirky architecture, key to the museum’s personality, inspired an outspoken typographic identity. Illustrated architectural forms are bolted onto three different custom typefaces, each inspired by a different point of art history: […]
Darkroom2018PartizanLondon Darkroom is a platform by Partizan, the established film production studio, for showcasing a curated roster of young directors that challenge the industry status quo. Barnbrook created an identity that draws influence from the anarchic energy of 60s counter-cultural magazines such as Oz, reinterpreting their vibrant use of collage and colour for a contemporary, digital
ROLLING STONES “BRIDGES TO BABYLON” The Bridges to Babylon cover for the Rolling Stones features an Assyrian lion embedded into a special manufactured filigree slipcase. The interior reveals a long strip of desert to fit to the accompanying tour/stage design. Disciplines: Print CREATIVE DIRECTION:Stefan Sagmeister DESIGN:Hjalti Karlsson PHOTOGRAPHY:Max Vadukul Source: https://sagmeister.com/work/rolling-stones-bridges-to-babylon/
Ivan Chermayeff and Tom Geismar met as students at Yale in the mid 1950s. They were doing research for papers on typeface design. In the spring of 1957 they teamed up with Robert Brownjohn to form Brownjohn Chermayeff Geismar. Three years later, Brownjohn left the partnership. Hundreds of trademarks have been created by Chermayeff & Geismar
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Seemingly simple, Brody Associates’ evolved marque for Christian Dior was created to retain its iconic characteristics and prestige positioning yet make it a highly practical object in application. We created it as a connected design with an interchangeable vertical axis, allowing it to be used as a single piece stamp or component. Client: LVMH Project: Christian Dior Marque Specialism: brand
SPC came to Brody Associates to bring a more contemporary sense of playfulness and movement across their Dunkin’ Donuts franchise touchpoints, from packaging and in-store to digital platforms. The resulting creative direction dynamically combined scaled type, bold forms, patterns, color, and motion. Client: SPC Project: Dunkin’ Donuts Graphics Specialism: creative direction Credits: Paris Croissant Co., Ltd. Source: https://brody-associates.com/
Balanced with the graphic art deco traditions of early 20th-century French design, the visual identity for Paris Baguette shows a clean and minimal modern style. Named “La Belle Vie” (The Good Life), the identity aims to be essentially modern European, while also retaining a sense of Paris and France. Visual elements like evolved logotypes, marques
Coca-Cola has revealed its new typeface designed by British graphic designer Neville Brody, marking the first time that the brand has had its own unique font in its 130-year history. Named TCCC Unity – an acronym of The Coca-Cola Company – the typeface was unveiled last week at the Museum of Design Atlanta by Coca-Cola’s vice president of global design, James
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About Neville Brody Neville Brody is a renowned English graphic designer. He completed his design education in Britain during the classic era of designing in the 1970s. Neville began his tryst with graphic design in 1976, when he enrolled in the Bachelor in Arts program in graphics at the London College of Printing. His work
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